Post
4
Sunday,
February 10, 2013
2:33
PM
My back is against the red siding of the arena, the sun against my cheek as
it starts to set. The shadows are stark under my pen. The snow is bringing back
the edges, making little brown oases that from the air, must look like
pockmarks on the face of each property.
The
rushing sound is not water. Instead of a current through liquid, the hushing is
through air, metal and rubber hurtling on and above asphalt. I’m
familiar with the sounds of the road, even if I can't see the vehicles from the house. I can hear the thick diesel engine of the mail truck as it rumbles past
the fence and pauses in front of our black mail box at the end of the driveway.
The yellow school buses have a distinctive growl as they slow and pull into the
parking area of the township building across the street. I can tell when my
mother drives her Ford truck down the driveway, especially in autumn when her departure
stirs the fallen leaves. The ice on the driveway that has persisted after
Saturday’s storm makes for good security, the crackling an announcement of
visitors.
But
in the trees, the sounds give over to the warmth of the day and the presence of
the sun. The ice slowly gives way and stains the tree limbs darker, the excess
water dripping slowly down to the snow in the shadows on the ground. I love
this back pasture and its fortress of trees. I have always thought of it as the
moonlight pasture, although that is my private name for it. In the summer, tiny
speckles of light pop and fade against the wall of trees behind the fence, the
fireflies congregating in the deep darkness behind our biggest outbuilding. We
pasture horses here rarely, for the grass is rich and quickly mown down to nubs
by their teeth. The ground has rolls in it, like an unmade bed, and in the
fall, these striations are covered by a thick layer of dusky, aubergine leaves.
Today, the quirks of the field are hidden under the whiteness of the snow persisting
in its shaded location.
This spot of ground is like that for me. I find this backyard beautiful because it is
mine and I know the memories it holds, concealed significance. It’s a muddy, occasionally dilapidated section of
land, but I find it worthwhile. I wonder if part of the reason we are able to
destroy whole swaths of land is because our perception of its value is limited
to our own experience there. If it can give us gas or oil now, then what
matters its value to the tenants years ago? I find this to be disrespectful and
short-sighted, but I’m sentimental. My mother has the choice to preserve this
land because to her, it’s a place to watch wild turkeys and count the deer. It matters to her because of the wildlife she loves. She wants to
protect their habitat and in a way, she is preserving the life she made for
herself here even though it’s time for her to leave. It’s a small gesture in some
respects, but it’s the right choice for our family. Our honorable, visible road.
Allyson,
ReplyDeleteI love your thoughtful questions: "What makes a ground holy, I think. What dictates respect and awe for a place?"
I am thinking of this question, too, as I think more carefully about the places in my life. It seems that for you, protecting the place or preserving it shows respect, and therefore makes a place holy in a way. When our perception, as you suggest, is "limited," then we do things to the land that destroy its physicality and also destroy our faith in it. Then the land loses its holiness.
This line of thinking makes me extra aware of how our actions and thoughts about the land are essential to "keeping it holy" or sacred. We determine the future of the earth, for better or for worse.
Thank you for your thoughtful questions, and for raising my awareness a bit regarding our relationship with the earth around us...
Allyson,
ReplyDeleteEach week that I read your posts I fall in love with your imagery and figurative language. Your writing is unique, genuine, and surprising.
I love your line: "The snow is bringing back the edges, making little brown oases that from the air, must look like pockmarks on the face of each property."
I would never think to associate a landscape with pockmarks, but now that you have created that image in my mind I cannot shake it.
Stunning writing!
Thank you for such a lovely read,
Marguerite
I'm considering the same over-arching question that Brigette mentioned: "What makes a ground holy"? I think, as you've so beautifully evoked here, that is does have much to do with what you've called "veiled loveliness." In many places, one has to look harder to see that loveliness, but when we recognize it, we just know.
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