Post 1
FRIDAY. JANUARY 18, 2013
FRIDAY. JANUARY 18, 2013
4:22 PM
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| "they would not find me changed from him they knew-- only more sure of all I thought was true." R. Frost |
The late sun is lending its last
golden impressions of a winter day. I find a finger of light between the darker stretches of trees due west and the
sun shines easily through the bare winter branches. I have visited this pasture
before but never for a deliberately stationary time. In the summer we mow here,
crisscrossing almost carelessly with the blades since this pasture is far
beyond the driveway, the grass needing only to be tamed and not manicured. I
don't second guess my choice of this place for my own purposes, but I wonder if
I should have focused on a less familiar place. But I think the greatest of
discoveries could actually be seeing a familiar place as if for the first time.
There are no poppies in this place, no road close enough for concern, but I
always loved the long flash of red in the middle of English roads, a stripe
made of hundreds of glorious poppies. If I actually slowed then stopped and held
one of those delicate blossoms in my hand, would I better appreciate the streak
that curved alongside? Stopping long enough to see a familiar sight in a new
way will be my way of saying goodbye to this place. By the time this semester finishes, this will no longer be home but a township-owned property, paid for by tax
payers and barred from development. I think these recordings will provide more discovery than I realize because after all, I am not the only living thing that
cherishes what this place gives me.
I touch the ground before I sit
down, ruefully removing my gloves because the air is bitter cold. It feels dry, but can I trust my sense of touch if my hands are
nearly numb? I settle carefully on a section of yellow grass. Later when I walk
inside with a cold nose, invigorated, my mother will ask me why the backside of
my pants are completely wet. I never realized I was numb.
So grateful for these sun rays, I pay attention to what they shine on. Mostly dead grasses, but that is
too broad a conclusion considering how the horses grazing here nip at some more than
others. There are some tall stalks still standing, pale yellow and lonely among
the shorter, cropped stems of the other grasses. I look closer and see that not
all is brown and yellow. Here is a freshly cut crop of green grass, newly
bitten. Mando, our halflinger, and Isaiah, our pony, are let out onto this
pasture in late morning and beckoned in late afternoon to scrounge for whatever
grass is left by the scarring frost and winter lows. They must feel a certain
satisfaction with finding a small patch of green grass, holding on even as the
days get shorter and shorter. I know that they don't recognize marvel and
wonder as I might; whenever I find an early violet or daffodil poking from the
dark earth, I feel a deep-seated thankfulness that I couldn't express if I were
buried on a couch with curtains closed. I feel honest regret for the days I've
spend inside.
This pasture is one of eight on the
property, squares and rectangles of various sizes marking different pens for
the horses at different times of the year. I sit facing the house first, more
than 200 yards away and south of my current position. Behind me is a line of
three rail fences, constructed of serviceable but weather-beaten boards
that we fix only when necessary. I am sitting about twenty yards from the post
and rail fences; beyond that row are trees, perhaps the largest stretch of
continuous woods for a few miles. If I turn to my left, I can see the gray roofs
of Holiday Village, the 55+ retirement community nearly circling our property.
To my right is another section of fence, a dividing line for another field. It
is quiet here. I hear only an occasional bird chirp and the wind in the trees.
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| interview #1 |
My pen is leaking, two small bulbs
of ink bubbling near the tip. I carefully wipe the excess ink on a small dried
leaf next to my hip. I lay out what I have carried to this place and document
my supplies. It reminds me of an image for "the burning house," a
blog of photos from people who are asked to document what they would save if
their homes were burning. It is, as they explain, "an interview condensed
into one question." I have been careful about what I brought to this
place--more than one pen, instructions, tape, gloves--but perhaps I should also
be thoughtful about what I leave behind. I appreciate the ritual of
preparation, packing what I need and avoiding excess, if only to limit
distractions. Lately, I've realized that many of my distractions come in the
form of options. Instead of freeing me to make decisions, options freeze me.
While painting my apartment, I would return again and again to the home store
and stand in front of the color chips saying that one, that one, that one,
overstimulated by choice. I wonder if I sat and reflected more in a single
place, I would feel the same anxiety when confronted with excess.
I watch the sunlight fade. Instead
of many outstretched hands, there are only two fingers edging towards me. I
could assume these are maple trees or oak restraining the sun but I am learning
to resist assumptions. It's too close to judgment the way charm is too similar
to lying. I will bring a field guide and learn this land instead of imagining
what it might be. I stand and sit again, facing the opposite direction, the
nearly set sun to my right, a forest before me. Weathered is actually a kind
word for the neglected fence in front of me. With one push, our horses could
push down their boundaries but this happens rarely and usually in summer when
they cannot reach the grass they crave in another, more lush field. I look up
at the tree limbs and it's hard to remember how they appear when flush with
summer or autumn colors. Lacking leaves, I can see which limbs are broken and
barely holding on.


I sat down to comment this evening and got entirely sidetracked for too long puzzling over posts at "the burning house" :-) There's so much in this first post Allyson, so many potential paths and threads you can follow. What strikes me is that your words here are so concrete and matter-of-fact, but at the same time, they are emotionally laden and powerful. I am glad you chose this place, however familiar it may be, exactly because it exists as you will chronicle it, as you have known it, for a finite amount of time. How do we remember the places that are about to change forever?
ReplyDeleteI knew the link might be a bit of a distraction, but it's such an incredible site, I didn't think anyone would mind taking a peek! As for my writing, I hope I can follow some of these paths in the next few weeks and keep a good balance between the concrete and the emotional. I've been challenging myself to find that place where I can express what it will be like to lose this place I love and interest people who will never see it. It's about expressing those "private attachments" as Scott Russell Sanders talks about. I hope I can do this place justice.
DeleteAllyson, I love the thoughtful tension between resistance and exploration in this post! Your descriptions of the things you have brought with you, as well as the way you have brought in elements from outside the space you've chosen (the burning house, and the paint chips in the store)really enhance the sense of openness and expansiveness that you seem to be trying to achieve in your blog (and possibly beyond the just the blog?). The element of distraction that taunts us all and makes our decisions more confusing provides a realistic backdrop against which your journey in this quieter space can now unfold. It seems that the emotional stakes of this project, and in making sense of your world and your life as it stands, are very high, and that you are determined to find insight and peace here.
ReplyDeleteI appreciated the way you conclude with the horses and the tree limbs--the horses' striving to reach a more pleasant grassland really resonates when placed next to your own striving to remember the trees in a more pleasing state, while seeing only their brokenness before you.
Thanks for your comment Brigette! I love how you describe the element of distraction as something that "taunts us". That's exactly how it feels! That connection between the horses finding greener pastures and my own reflection on the trees was not one I had made--what a great insight. It really gives me a whole other direction to consider. Thank you!
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